2015 · GS Paper 1 · Q2 · 12 marks
Mesolithic rock cut architecture of India not only reflects the cultural life of the times but also a fine aesthetic sense comparable to modern painting. Critically evaluate this comment.
In short
Mesolithic rock paintings in shelters such as Bhimbetka faithfully record hunting, gathering, dance and ritual, and their economy of line and patterned bodies resemble modern abstraction in style but not in intent or technique. Bhimbetka, found by V.S. Wakankar in 1957, has up to twenty superimposed layers of paintings.
Model answer
Ghissu Editorial · Verified 4 Oct 2026 · 295 words
Hunting and gathering
Bhimbetka and Adamgarh show bands hunting bison, deer and boar with barbed spears and bows, while honey collection, fishing and a dog beside hunters reveal an economy nearing domestication.
Community and belief
Group dances with drummers, the linked dancers of Lakhudiyar in Uttarakhand and masked figures point to shared festivity and ritual.
Limits of the record
Gender roles and beliefs are inferences, and up to twenty superimposed layers make many scenes hard to date.
Economy of line
A few strokes give a hunter or a charging bison its motion, as modern artists reduce a form to its gesture.
Pattern and palette
Cross-hatched and X-ray style animal bodies in haematite red, white and green show a deliberate decorative sense.
Anachronistic yardstick
These were most likely ritual or narrative records, with no perspective and a narrow palette, so the likeness to modern art is one of abstraction, not intent or technique.
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Question from the official UPSC Civil Services (Main) Examination 2015 paper. Answer written by Ghissu's engine and checked against our editorial standards. Found an error? Tell us and we correct it within 48 hours.